Walker has published poems and personal essays about illness and faith and capitalism in Today’s American Catholic over the last five years.

Something Sacred Defiled: The Ecological Ethics of “First Reformed” by Walker Storz

Two Poems by Walker Storz

Jesus Christ

(a poem from 2018)

Two Poems from July 2018

(one of these poems is an ode to Sylvia Plath. One is about chronic illness and a form of hypometabolism and hibernation)

Mere Survival (An Essay about living and unlife with chronic illness)

published in Today’s American Catholic

2022

For most of the time I’ve been sick, I haven’t been able to cry.  It’s as if my body hasn’t had the spare energy to process grief, or really any emotions.  After all, how can you process a trauma when the trauma is ongoing?

I have an illness that , officially at least , has no cure.   There are promising experimental treatments , sure, but there is not a single FDA approved treatment.  And most of us don’t even get palliative care for the symptoms. The quality of life of this illness is so low that for awhile, I didn’t know how people lived with the reality that there are no treatments.   Now I realize that they don’t live with that reality. I remain convinced it’s an impossible reality to accept, one that would tear a person apart.  

I have never lived with that reality.  And although my life–youth, social life, vocation, ability to make art– has been stolen from me, I haven’t grieved much.  I have to smile through physical and emotional pain. My body has been an affectless automaton. At one point in my illness when I got a lot worse , probably from my brainstem compression becoming worse , I started to tolerate listening to music a lot less.  Listening to music was one of the last things that tied me to who I was before illness. 

Since then I have become more and more vacant.  And given that I have not been offered much in the way of palliative care, I have opted to distract myself from pain and boredom by scrolling the internet, consuming forgettable and numbing content, using a phone as a narcotic.  I have become someone that would have been unrecognizable to the ambitious artist and musician I was years ago. I have become the worst possible thing–boring.  

I have had some moderate upswings from some of the experimental treatments I’ve done recently.  And every time my body starts to recover, grief threatens to overwhelm me. I start to tear up. I start to have emotional responses to music. I start to reckon with the enormity of what I’ve lost over the past three years.  I have turned away from this grief to survive, have had to compartmentalize; but mere survival is something that I now have a strong distaste for. Every time I get a tiny taste of health or normality, I become less apathetic, less okay with a life of compromise, more fuelled with rage. Much of the time, I’ve slouched toward oblivion; curled up into the tiny space afforded to me by my illness, but now that my body has started to awaken, I am hurled into awareness of the gulf between what I wanted and what I became.  

A lot of the generic advice offered to people with chronic illnesses about coping has been almost perfectly tailored to elicit the worst possible response from me in particular.  The quasi-buddhist, quasi-nihilist advice to simply adjust oneself constantly to ones circumstances, no matter how bad they get, always turned my stomach. It’s not an exaggeration to say that I have probably stayed alive and stayed looking for experimental solutions for my illness only by taking the exact opposite approach, that of never accepting this unjust and terrible reality.  [But perpetually deferring reality comes at a cost. ]
When survival means “mere survival”, not growth or thriving, I oppose it. When it means vegetating at the lowest step of the Hierarchy of Needs, I oppose it.  when it means wasting away in the dark for years with no solid hopes of recovery, I oppose it. when it means accepting being forgotten by the entirety of the world, I oppose it. when it means accepting mediocrity and radiating oblivion, I oppose it.     is it fruitless and vain to “oppose” an evolutionarily conserved instinct? probably. but who cares? It’s also fruitless to always hope for a cure in every breathless press release about ME/CFS research, and yet we don’t fault people for trying to find hope.  so don’t fault me for trying to find my way away from the magnetism of false hope.  It’s your choice how to interpret what I say about survival, to what extent I mean this literally.  it’s all contingent on what realities and situations there are available to choose from. Of course I’m not a philosophical pessimist, if there is a chance at life that is more than mere survival, a good chance of healing, I choose that over death.  But is there?

Postscript
There is one hypothesis among me/cfs scientists that the illness is a homogenous response to heterogeneous stressors, a sort of hibernation.  (Specifically, “dauer”, a state of hypometabolism found in c elegans).  
That in a sense, my body is intelligent for having chosen “mere survival” over options like heart attack, cancer , etc that might be “normal” responses to the same stressors my body has encountered–environmental toxins, infections, etc.  
I find it plausible , based not just on the available scientific evidence but also based on my experience.  it does feel like my body has traded made a tradeoff between quantity and quality of life. It does seem like being sick has made me experience time in geologic phases/increments. 
It is unnerving to realize how quickly one can adapt to that , how quickly one begins to accept sleepwalking rapidly through highlight reels of weeks and then months and years.  and that is part of my reason for wanting to actively oppose whatever in me is willing to compromise with that and do whatever it has to to cope. 
The mere survival isn’t waking, living, dying or dreaming, but a painful, liminal state directly between life and death.  
On some nights sleeping out in the desert , I feel like I’m at the edge of, or even in the middle of, a giant ocean.  the wind becomes white noise becomes pixels becomes waves breaking on the shore. the darkness could be ocean, and instead of the messiness of any conventional method of suicide I like to imagine I could just wade out into that ocean and disappear forever.  
I have been fascinated by Christianity for a little while, not just as an outsider, not just through some kind of academic anthropological lens, but as a different kind of encounter.  
What Christianity means to me is represented in the geometry of the cross–Christ’s unremitting orthogonality to the world.  In Nietzsches view, Christianitys opposition to wordliness was borne out of a hatred for life due to a kind of envy for those who are overflowing with it.  But if any aspect of my illness is due to exponentially increasing pollution and environmental toxicity, which is a scientific question that still needs to be answered (but I have good reason to think this for reasons I’ll answer in another post), the idea of “wordliness” takes on a new dimension of meaning.  If the modern world has contributed to making me very ill, ghostlike ; and furhermore the social “world” has left me in the margins, then is this opposition to that world really slavish envy and resentment? Is an opposition to the “worlds” that are poison worlds, that are now overtaking the earth which is the ground for all being; really something borne out of weakness?  Is a vehement opposition to a form of being-in-the-world that means accepting ones slow senescence at the hands of Capital , destroyers of the earth, Moloch, all of those animated bodies of the unliving that populate our new “world” , really the same as a ressentiment-borne rejection of the earth and the body?
I am rejecting survival in favor of life in its fullness or death in its open promises.  I am rejecting the “world” in favor of the earth, and in favor of the potential worlds that don’t marginalize me.  while I may not follow many of Christianity’s tenets, the worldliness that may have been worth defending against its asceticism, and the vibrant, healthy bodies that may have been opposed rhetorically by Christianity, may no longer exist .  We may not, for very long, have a world left to defend. all that’s left then, is the perpendicularity of the cross.  
when you drive west out of the city of las Vegas into the desert at night, it feels like dropping off the face of the earth.  The city’s glimmering lights quickly drop away and one drives into what seems at first to be a vast emptiness. when your eyes adjust, you find yourself in a new world.  

‘Untitled #1’

January 2016

If I was my

father’s son

I’d grow up

strong, pure,

fleet

Silent in

a dark wood

disappearing into

the snow, my

identity

a lack of

tone, contrast

A mirror,

a canvas

A piercing brilliance

from the

sun’s glare

on snow,

the color

someone’s hair

turns when

they experience

a

great loss

This color

was a zero

degree

a negation

a mirror recognizing

itself

in a

mirror, the

color of ghosts

ghosts of conquistadors

ghosts of

masters

We came from

the North

relished the

austerity,

juxtapositions

were clear,

contrasty

we ate dark

bread, we

worked, we

were silent often,

like the blankets

of crystals that

dampened the

green wood

What was

there to say?

that hadn’t already

been posited

by the terrible

turning of

the planet,

of time

But I am

tainted,

impure, tortured

by my

impurity

I have sinned

I have been

not so strong

I have been

weak

Worst of all,

I have relished

it, relished

my pain, lived

in my stink

and my

weakness

Focalin Rose

was a symbol

for us that

year

a stained-glass

picture of a

flower that

we crushed

up focalin

extended-release

beads on to

snort, usually

crossing the

lines like an

ex

Focalin Rose

was a fast,

clean woman

more brilliant

than the sun,

hair lighter than

blonde, orphan

but not

a

mutt

Two years later

I marveled at

what I’d managed

to achieve in

conjunction with

my psychiatrist

The meds I was

on, when taken

together, were

the closest to

zero-degree I

could get

A perfect clearness

like empty

glass, was all i

felt, and a

corresponding

fragility

I truly felt

nothing, smooth

and in HD, just

a reflection of

my surroundings

More links: https://softcartel.com/2018/01/20/sonata-4-a-dying-loser-by-walker-storz/